- CANON IMAGE GARDEN COLOR CORRECTION HOW TO
- CANON IMAGE GARDEN COLOR CORRECTION SOFTWARE
- CANON IMAGE GARDEN COLOR CORRECTION DOWNLOAD
CANON IMAGE GARDEN COLOR CORRECTION DOWNLOAD
You can create a custom picture style, or use an already established picture style, like one of the six Canon presets, or download one from a third party, such as Cinestyle from Technicolor, or Cine from Marvel. There are four dimensions to the picture profile settings - sharpness, contrast, saturation, and color tone - and each can be set at high, low, or neutral. But you can also use this setting to skew your hues in a desired direction. For example if you’re shooting outside on a lawn and the reflection off the green grass is muddling with your image, you can pull that green out by pulling toward magenta. This can be used to regulate your image and bring the colors back to ‘normal’ in extreme situations. Selecting White Balance Shift in your camera’s menu will direct you to a grid that allows you to pull blue, amber, magenta or green into your image. The beauty of using Kelvin is that if you want to push your colors to the warmer or colder side, you can! While you can keep these numbers in the back of your head for reference, in the end just adjust to your eye.
Higher numbers (such as 6000 K) render warmer, red hues while lower numbers (3000 K) will render colder, blue hues. The Kelvin scale is a measurement of color hue. While all cameras provide presets for different qualities of like such as Indoor, Cloudy, Fluorescent, etc., it’s more accurate to use Kelvin, which allows you to manually set the color temperature at which your camera will shoot. White balance is the process of calibrating your camera to recognize the color white as white so that all colors appear normal. If you use just one of the settings discussed in this lesson, this should be it.
CANON IMAGE GARDEN COLOR CORRECTION HOW TO
When changing these in-camera settings, you’re essentially telling your camera how to interpret light. The main settings you can adjust within your camera are white balance, white balance shift, and picture profile. Makes sense, right? Now let’s take a look at just what they do: Making color choices before you press record, and being immersed in them while shooting, will only help to drive home the intended mood in the final product. Color grading can greatly impact the overall look and feel of a piece. Moving away from your camera’s auto settings also helps you gain control over your camera and encourages deliberate stylistic choices. For one thing, this cuts down on time spent in post. Our pals at stillmotion utilize the in-camera color and picture settings on their DSLRs whenever they shoot. But what if you could do all of that work - or at least get a head start on it - while shooting?
CANON IMAGE GARDEN COLOR CORRECTION SOFTWARE
With advanced software like Magic Bullet Looks and Blackmagic’s DaVinci Resolve, a great deal of emphasis has been placed on color correction and color grading in the post production workflow. It’s a common saying in the production world, and it may well be true in many cases, but whatever happened to getting it right the first time?
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